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Pastel artist wearing Totobobo mask and working in her studio

Why Pastel and Ceramic Artists Love the Best Reusable Dust Mask?


Fine dust from soft pastels or ceramic clay can turn your creative passion into a health hazard if you’re not careful. Whether you paint with chalky pigments or shape clay at the wheel, protecting your lungs should never mean sacrificing comfort or creativity. That’s why many artists now call the Totobobo the best reusable dust mask for painting soft pastel, sculpting clay, and any other dusty studio craft.

Why Artists Need a Reliable Dust Mask

Soft pastel powder, glazing materials, and ceramic clay release microscopic particles that linger in the air long after your session ends. Over time, inhaling that dust can cause respiratory discomfort or long-term sensitivity. A comfortable pollution mask for artists helps you breathe safely without interrupting your workflow.

Top reasons artists choose Totobobo:

  • N95-class filtration for pastel and ceramic dust
  • Perfect seal that fits your unique faces
  • Ultra-lightweight and reusable
  • Replaceable filters and Environmentally friendly
  • Anti-fog design ideal for artists who wear glasses

How Artists Discovered Totobobo

Pastel painter Brenda Boylan describes her journey:
She had tried heavy ventilators and multiple disposable masks, but nothing truly fit or protected her. Then she found another pastel artist, Paula Ford, using Totobobo — and everything changed.

“Totobobo doesn’t sponsor me. I just believe every pastel artist should consider it for their health.” – Brenda Boylan

From pastel studios to pottery spaces, more creators now rely on Totobobo for clear breathing and a clear conscience.


Real Experiences from the Art Community

Paula Ford, renowned pastel artist and instructor, shared that she used to suffer from coughing fits and itchy eyes after painting. After switching to Totobobo:

“Since finding the perfect fit, my breathing is clear, my eyes no longer itch, and I can paint all night. This mask may have saved my life.”

Don, a Wetcanvas forum member, prefers Totobobo over his 3M mask:

  • Reported better airflow and less fatigue
  • Adjustable, soft straps for long sessions
  • Reusable mask with changeable filters = reduce cost and waste
  • No glasses fogging, even while working closely on fine details

Ceramic artists echo the same feedback — the mask keeps them comfortable while mixing glazes, sanding bisque ware, or cleaning dried clay dust from tabletops.


What Makes Totobobo the Best Reusable Mask for Dusty Arts

If you’re an artist working in a confined studio or shared space, comfort and safety matter equally. Totobobo’s transparent and customizable design promises professional-grade protection without bulk or breathing resistance.

Totobobo advantages:

  • Reusable and cost-efficient: Replace only filters, not the whole mask
  • Clear design: See your expression and communicate easily
  • ReShape or Trim the edges: Personalize your seal shape for full comfort
  • Eco-conscious: Long lifespan supports sustainable studio practices

Artists who have used disposable masks notice the difference immediately — no more itching, dryness, or restricted breathing.


How to Reduce Harmful Dust When Making Dusty Arts

Whether you’re blending soft pastel or trimming clay on a pottery wheel, a few mindful practices protect both your health and workspace:

  • Wear a reusable dust mask for pastel and ceramic work every session
  • Wipe instead of blow off dust (use a damp cloth or sponge)
  • Keep your studio ventilated or use a small air purifier
  • Replace filters regularly to maintain clean airflow

By combining good studio habits with reliable gear, you can reduce harmful exposure and focus purely on your art.


Breathe Clean, Create Freely

Your creativity deserves protection that feels natural and sustainable. Totobobo helps pastel and ceramic artists stay healthy while embracing their craft, proving you can combine breathability, protection, and eco-friendly design in one simple mask.

Share your experience in the comments — how do you manage studio dust? Or explore Totobobo mask options designed for artists and rediscover how clean air can inspire your art.

Pastel artist wearing Totobobo reusable dust mask
Totobobo mask for Art & craft us

Words of Mouth

Petra, one of our early users, introduced the mask to the WetCanvas Forum, where it caught the attention of the artist community.

Petra K discovered the Totobobo mask and shared it with the pastel artist community

I usually use my pastels outdoors, but I’ve noticed that when I use them indoors, the next morning I have a slight but persistent cough when I wake up. I tried using surgical masks and didn’t like them. I’ve just ordered one of the following masks from Totobobo.
I bought these because people bicycled all over India and China wearing these masks — if figure they have to be comfortable. You can trim them to the size that fits your face. The mask itself is reusable but you need to insert new filters when needed.

– Petra K , Wetcanves member, Redondo Beach

Paula tried the mask and love it! She started a thread about Totobobo mask

I wanted to tell you about my recent struggle with breathing. For the last couple of months I’ve been having a hard breathing after painting. I don’t think I was blowing on my work, but was tapping the excess pastel into the trash every few minutes. Well, it was getting into the air so much, by the end of the night of painting, I could hardly breathe, and my eyes have been running, red and itchy all the time whether I’m painting or not.

So, I came here to WC and did a search for “masks” and decided, after much research and trial and error with other masks that I bought at Lowes or WalMart, that I’d purchase the Totobobo mask.

Let me first I am not associated with the makers of the Totobobo mask. I just feel strongly about what I am about to tell you. This mask may have saved my life.

First, the mask is made out of a rubbery material, so it sticks naturally to your skin. It is a bit tricky to learn how to put it on, but once you’ve got it, you’ve got it. At first, there was a slight gap near the nose area and I could feel the air coming in around my nose, so I wrote to the makers of this mask and they responded very quickly and told me what to do and it worked perfectly! Since I found the perfect position on my face for my mask, I no longer have any problems with breathing…at all…period. My nose has cleared up, my eyes are no longer irritated, I don’t cough or sneeze at all any more. And, it’s comfortable! I hardly know I’m wearing it!

I feel it has given me the freedom to continue using my pastels. Oh my gosh, I could NOT imagine not painting with pastels. My heart would just die!

So, I’m here to tell you, if you EVER have any breathing problems due to pastel dust, please buy this mask. It will make all the difference in the world and it may just save your life.

– Paula Ford, /Wetcanvas forum Guide, Jasper TN

Don pick up the mask and customized it for himself

Recently, based on a thread started by Paula Ford, I purchased the Totobobo dust mask. I thought I would share my review.

The first thing I noticed was that there seemed to be more air coming through the Totobobo mask than the previous mask that I have been using (3M #8210). In fact, I took the mask off to check and make sure the filters were in place, because there was no noticeable decrease in air flow! (Yes, the filters were in place!) The mask seems lighter, too.

The straps were more comfortable than the 3M #8210 mask, and even better, they are adjustable. You can tighten or loosen them with a little clip that is attached to the strap.

The mask seems to do a fine job – no coughing or clearing my throat after working with the pastels.

One of the nice things about it is that the filters detach and are replaceable, so the mask itself is more environmentally friendly. You only throw the filters away – not the entire mask. The filters will probably last a good long time, I guess I don’t know how long yet! I’ve used it twice and the filters aren’t dirty at all.

One thing that you might need to do, is make some “homemade adjustments” to ensure the mask is tight against the side of your nose – so that the air does not escape through there. I cut a small groove at the top of the mask for the bridge of my nose (which, apparently, is larger than the average totobobo mask user!). It worked fine, and when I wear the mask, it does not fog up my glasses!

So, that’s my review and I definitely recommend this mask. I know many of you are hesitant about wearing a mask, and believe me, so was I. In fact, I pretty much had to give up pastels for about 20 years, only doing them occasionally and then stopping due to coughing issues. Finally, I decided that using a mask was something I could get used to – and I did. I think it would have been an easier decision if this mask had been available then. It seems very unobtrusive compared to the others.

-Don /Wetcanvas forum Guide, Rochester, NY

——————
“I agree with Don. It’s extremely comfortable, does not fog up my glasses and fits well.” Devonlass – Chelmsford, Massachusetts

“This is the only mask I’ve gotten used to. I cut it to the first mark to produce a good seal. Most important of all is that it doesn’t fog my glasses! Yeah!”
Adriana Meiss, Syracuse, NY

FAQ: Reusable Dust Masks for Artists

Do I need a dust mask for painting pastel or ceramics?
Yes. Both pastel pigment and ceramic powder create airborne dust that can irritate lungs. A mask with fine particle filtration is strongly recommended.

Which reusable masks are best for pastel and ceramic artists?
Totobobo is widely praised for its comfort, fit, and effectiveness. It’s rated among the best reusable dust masks for painting soft pastel and working with clay or dry glazes.

How often should I replace Totobobo filters?
Change filters when visibly dirty or after 1–2 weeks of frequent use. Artists working daily in closed spaces may prefer weekly replacement.

Are reusable masks really effective against pastel or clay dust?
Absolutely. Totobobo’s electrostatic filters capture microscopic dust — ideal for both soft pastel pigments and fine ceramic particles.